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L'art modifie-t-il notre regard social sur ce que nous nommons aujourd'hui le handicap ? Ces images issues de la littérature, la peinture, le cinéma, la photographie, les séries télévisées… trahissent souvent l'ambivalence faite d'attirance et de répulsion que nous entretenons avec l'autre si différent. Favorisent-elles la médiation entre les mondes distincts, le nôtre et celui des personnes souffrant de déficiences ? En amadouant le regard, les œuvres d'art, quels que soient les supports utilisés (images fixes ou animées, images mentales), donnent corps et vie à l'atteinte, physique et morale, et à ses conséquences individuelles et sociales. Elles condensent des façons collectives de voir les personnes handicapées et constituent une manière d'officialiser les différences, sans les nier mais sans les exclure.

Abnormalities, Human, in art. --- People with disabilities in art.

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Conjoined twins --- Twins in art --- Abnormalities, Human --- Abnormalities, Human, in art --- Lithography --- History --- History

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"The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation. The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art."-- The subject of deformity and disability in the ancient Greco-Roman world has experienced a surge in scholarship over the past two decades. Recognizing a vast, but relatively un(der)explored, corpus of evidence, scholars have sought to integrate the deformed and disabled body back into our understanding of ancient society and culture, art and representation. The Hunchback in Hellenistic and Roman Art works towards this end, using the figure of the hunchback to re-think and re-read images of the 'Other' as well as key issues that lie at the very heart of ancient representation. The author takes an art-historical approach, examining key features of the corpus of hunchbacks, as well as representations of the deformed and disabled more generally. This provides fertile ground for a re-assessment of current, and likewise marginalized, scholarship on the miniature in ancient art, hyperphallicism in ancient art, and the emphasis on the male body in ancient art

Abnormalities, Human, in art. --- Abnormalities, Human, in art --- Other (Philosophy) in art. --- Art, Hellenistic. --- Art, Roman. --- ART / History / Ancient & Classical. --- HISTORY / Ancient / General. --- LITERARY CRITICISM / Drama. --- SOCIAL SCIENCE / People with Disabilities. --- Catalogs. --- Hellenistic art --- Art, Greek --- Roman art --- Classical antiquities

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Abnormalities, Human --- Abnormalities, Human, in art --- People with disabilities in art --- People with disabilities in art. --- People with disabilities --- History --- History

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Abnormalities, Human, in art --- #SBIB:39A5 --- #SBIB:39A9 --- Kunst, habitat, materiële cultuur en ontspanning --- Medische antropologie / gezondheid / handicaps --- Arts --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts, Primitive